Mea culpa: stylish French cinema

This is a minuscule plot, presented in a stylish cinema noir wrapper and packed with Gallic panache. It features powerful performances from the two male leads, as it explores their relationship and the consequences of the catastrophic event which saw one of them drummed out of the police force and imprisoned for causing deaths while…

Weird World Cinema

  We enjoy all sorts of thrillers here at MMM, from non-stop action romps to inexplicable international arthouse adventures, from popcorn puff to self-indulgent intellectualism.* Recently we’ve seen three wonderfully weird examples of world cinema, each of which revolves around a captivating female central character. Each of them is a solid four-star flick, worthy of…

Eyewitness: credible and convoluted Scandi crime

Cleverly constructed Nordic noir which in typical Scandinavian style combines a convoluted plot with credible but complicated characters, filmed with an eye for widescreen. The series follows a single investigation, triggered by the death of a police informant. Each of the six hour-long episodes peels back more layers of the story, expanding its focus from…

Murder: experimental investigations

This is a short series of three, experimental, separate and stand-alone crime dramas, made for TV and screened on BBC2, each an hour long. Each scenario is new and different, and they’re all very much based in ‘possible’ real life situations. The stories start with a dead body, and gradually the timeline of the crime…

A Hijacking: Hard-hitting hostage drama

A Hijacking is 100 minutes of gruelling, gripping tension. It doesn’t seek to glamorise or Hollywoodise the very real threat of modern-day piracy to commercial shipping. Instead it starkly portrays the at times horrific possibilities when hostages are held long-term for ransom. It is not a barrel of laughs… The action switches between a Danish…

Suburra: gritty, bitter Eurocrime

An Italian neo-noir thriller about organised crime in modern day Rome. Gritty, violent, explicit and enthralling, it depicts the semi-fictional events of a single week building up to its ultimate ‘apocalypse’. Suburra pulls absolutely no punches in its depiction of brutal, street level intimidation and corruption among politicians and the clergy at the highest level.…